November 17th, 2005  
En vis à vis de cette notule publiée sur Aeiou, je ne peux m’empêcher de faire partager ici ma courte (mais intense) émotion cinématographique* du jour : Nicolas Cage (.mov), un film (?) du net artiste Jimpunk, diffusé dans le cadre du Festival Vidéo d’Une seconde.
* émotion cinématographique ? c’est la question que l’on se posait aujourd’hui avec l’ami Sandor, sur le mode quel type d’émotion peuvent procurer ces vidéos et ces images qui circulent sur le net, hors de tout rituel collectif, hors de tout contexte immersif ? hm… question en suspens…
Posté dans Digima par Gflu le 16.11.05 à 19:10
via cinema.fluctuat.net/blog/index.php?itemid=1141
 
Tags: news, online, readymade, remix |
November 16th, 2005  
 
Tags: news, online, remix |
November 10th, 2005  
 
Tags: exhibition, news, online, PopUp, WebTV |
November 6th, 2005  
Den andra upplagan av One Second Film Festival har nyligen avgjorts. Vinnare blev den flitiga JimPunk med sin spektakulära kingkongViolencehistory, som sätter samman bilder från Peter Jacksons kommande King Kong-film och David Cronenbergs A History of Violence. Övriga bidrag kan beskådas på festivalens hemsida.
(Tack till DVblog.)
posted by Martin Degrell @ 22:59
via degrell.blogspot.com/2005/11/cut-to-chase.html
 
Tags: news, online |
November 4th, 2005  
Rhizome ArtBase Spotlight: ~ 1n-0ut [meditation] ~ (2003) by jimpunk, a piece that orchestrates multiple browsers into what we’d like to call ‘desktop wave’.
 
Tags: exhibition, image, online, PopUp, rhizome, texts |
November 3rd, 2005  
by michael
originaly from DVblog.org
 
Tags: exhibition, online, remix, sound, video |
October 17th, 2005  

Jimpunk has a new interactive piece: “Joseph.Beuys –
JA JA JA JA JA NEE NEE NEE NEE NEE – AsCii Sound rem:x – #1 – 20051013-12:04.â€
A shamanistic utterance by Beuysis given a Steve Reich “Come Out†treatment in three dimensions. Tthe dimensions being: height, width, and time. The sound bites overlap, go out of phase, and echo as you move your cursor around on an ASCII Beuys image–kind of like a Speak and Spell granular sampler.
Checking this out is recommended. posted by Your Host at 11:01 PM
 
Tags: AsCii, flash, Joseph Beuys, online, remix, sound |
October 15th, 2005  
SCREENFULL has been inactive for a while but jimpunk has a new interactive piece: “Joseph.Beuys – JA JA JA JA JA NEE NEE NEE NEE NEE – AsCii Sound rem:x – #1 – 20051013-12:04.” A shamanistic utterance by Beuys–not familiar with the clip–is given the Steve Reich “Come Out” treatment in three dimensions, the dimensions being height, width, and time. The sound bites overlap, go out of phase, and echo as you move a cursor around an ASCII Beuys image–kind of a speak and spell granular sampler. Subject to the usual gripes about making art based on the work of famous cult artists, checking it out is recommended. How’s that for passive construction to avoid the self-absorbed sounding first person?
– tom moody 10-15-2005 1:09 pm [link] [add a comment]
originaly from Tom Moody
 
Tags: AsCii, Joseph Beuys, news, online, remix, sound, texts |
October 14th, 2005  
Posted by
vtanni on 2005/10/14 18:55:54 (106 reads)

Joseph Beuys è uno degli artisti contemporanei più amati. Un po’ per la sua rarissima capacità di coniugare forma e contenuto, politica e poetica, un po’ per il fascino indubbio del personaggio. Molte le citazioni e gli omaggi, che fioccano anche in rete… [segue]
Joseph Beuys is one of the most loved contemporary artists. He is admired for his incredible ability to mix form and content, politic ideas and poetic visions. And of course for being a real icon. Many on-line projects are dedicated to him. The most recent is Jimpunk‘s ascii sound remix.
D’altra parte, il noto concetto di “scultura sociale”, coniato dall’artista tedesco negli anni Settanta, è un serbatoio di spunti per la più giovane arte dei network che, specie agli esordi, lavorò proprio sulla costruzione di relazioni, più che sulla realizzazione di prodotti artistici in senso stretto. Lo stesso Wolfgang Stahele, fondatore di The Thing, lo citò in alcune interviste come fonte di ispirazione per il suo pionieristico network artistico.
Lo scorso anno MTAA mise in rete uno scaricatissimo filmato (Beastie Beuys) in cui Joseph Beuys si esibiva come cantante in un’improbabile pop band degli anni Ottanta, cantando un testo estremamente politico come Sonne statt Reagan. Il net artista francese Jimpunk ha invece lanciato ieri un ascii remix sonoro di una delle tracce più famose dell’artista tedesco, la dadaista ja ja ja ja ja nee nee nee nee nee. E’ il visitatore che può assemblare i suoni, cliccando qua e là sull’inconfondibile sagoma di Beuys, tratteggiata con poche righe parallele.
originaly from random-magazine.net
 
Tags: AsCii, Joseph Beuys, news, online, remix, sound, texts |
October 13th, 2005  
Joseph.Beuys
JA JA JA JA JA NEE NEE NEE NEE NEE
AsCii Sound rem:x
#1
20051013-12:04
https://www.jimpunk.com/Joseph.Beuys/
.player flash javascript frame
info about JA JA JA JA JA NEE NEE NEE NEE NEE >>> ubu
 
Tags: AsCii, Joseph Beuys, online, remix, sound, statement |
September 24th, 2005  

*Premiere Screening this Saturday Sept 24th @ Agnes.b Cinema, HK Arts Centre!
Screening at Agnes.b Cinema in late September (24th & 30th), & Habitus in the month of November (4th & 11th).
PLAY> is a collection of experimental work, aiming to explore the creative potentials of game play in audiovisual form and to reflect upon the intriguing relationships among game, art and contemporary culture. Curated by Ip Yuk-Yiu, featuring artists Cory Arcangel . Jimpunk . Kedy Fan Ho-Ki . Ho Siu-Kee . Hung Keung and more…
more info here
Presenter: HKADC
Co-Presenter: Hong Kong Arts Centre
In Association with:
Bittersweet, Habitus & EmergencyLab



 
Tags: exhibition, Hong Kong, offline, sound, video |
July 23rd, 2005  
the 24hr online performance/happening/blog “magnum i.p.” has now concluded
please visit it in it’s archived form at
http://www.screenfull.net/magnum-i.p/
linkoln + jimpunk
 
Tags: Abe Linkoln, blog, collaborative, flash, gif, image, online, photo, remix, screenfull.net, sound, texts, video |